Jess Nolan arrived in Nashville two years ago, amidst the flood of songwriters moving here to both find their voices and be heard. Instead of looking to learn from the great writers that have had their start in Nashville, Nolan was looking primarily to learn from the diverse musicianship in town. Her music aligns most predominantly with classic artists in the soul and R&B genres, thus differing from the majority of Nashville-based acts. However, her differences have earned her an esteemed role in the local scene, and have prompted a focus inward making for songs true to her spirit.
Leah Grams Johnson has a tendency to travel off the beaten path. When she moved from Boston to Nashville, she found herself living and working on a large plot of land as a horse trainer in Nolensville. Her desire to create in unorthodox locations led Leah to apply for, and be awarded the Helene Wurlitzer Foundation Artist Residency in Taos, New Mexico, which she will attend this coming summer. While appreciating the way songwriting is valued in Nashville, Leah also uses nature and her travels as a primary source of comfort and inspiration for her songwriting. She chatted with us about how working with horses helps externalize her writing process.
AMBER RUBARTH HAS MORE EXPERIENCE ON THE FOLK CIRCUIT, NATIONALLY AND INTERNATIONALLY, THAN MANY OF HER NASHVILLE PEERS. SHE’S BEEN RELEASING MUSIC SINCE 2005 AND WAS THE WINNER OF MOUNTAIN STAGE’S NEW SONG CONTEST IN 2010 WHICH LED TO THE ALBUM A COMMON CASE OF DISAPPEARING, PRODUCED BY JAQUIRE KING IN 2011.
THE TEAM AT WMOT AND MUSIC CITY ROOTS HAVE BEEN ANTICIPATING RUBARTH’S NEW RECORD SINCE SHE PLAYED THE TITLE TRACK OFF OF IT, WILDFLOWERS IN THE GRAVEYARD, DURING A GUEST APPEARANCE WITH DAVE EGGAR AT MUSIC CITY ROOTS IN 2016. THE WAIT WAS WELL WORTH IT, AS THE RECORD IS BEAUTIFULLY ARRANGED AND PRODUCED, AND THEMATICALLY EPITOMIZES THE FOLK TRADITION. RUBARTH TALKED TO US ABOUT THE PHYSICAL PRESENCE OF WILDFLOWERS IN THE GRAVEYARD IN HER LIFE, AND HOW THAT CAME TO BECOME THE NAME OF THE ALBUM.
CONVENTIONAL WISDOM SAYS A NEW BAND SHOULD PLAY LIVE A LOT AND WORK OUT WHO THEY ARE ON STAGE IN SMALL VENUES BEFORE GOING INTO THE STUDIO. EASTLAND FLIPPED THE SCRIPT. A GROUP OF MUSICIANS WHO’D MOSTLY TOURED AND WORKED IN SUPPORT OF OTHERS CAME TOGETHER OVER A SHARED LOVE OF HARMONY DRIVEN 1970S COUNTRY ROCK. THEN THEY FOCUSED ON WRITING, REHEARSING AND RECORDING BEFORE THEY UNVEILED THE PROJECT IN RECENT MONTHS WITH THE SINGLE “OUR TOWN” AND A SERIES OF SHOWS. WE FILMED THIS ACOUSTIC PERFORMANCE OF "FABLES AND FIRE" AT THEIR REHEARSAL SPACE AT CLAIR AUDIO IN EAST NASHVILLE.
KASHENA SAMPSON MOVED TO NASHVILLE WITH A PLAN, AND SPENT THE PAST TWO YEARS SAVING HER MONEY BARTENDING AT THE BASEMENT EAST TO RECORD AND RELEASE HER DEBUT RECORD, WILD HEART. SHE PAID FOR THE STUDIO AND THE BAND IN CASH, WRAPPED IN PAPER THANK YOU NOTES FOR HER RECORDING SESSION AT THE ALL-ANALOG BOMB SHELTER IN EAST NASHVILLE. SHE PLANNED TO MAKE AN EP, BUT STUDIO OWNER AND PRODUCER JOHN ESTES CONVINCED HER TO RECORD 10 TRACKS, ALMOST ALL THE SONGS SHE’D WRITTEN SO FAR. SAMPSON TOLD US WRITING CAN BE A STRUGGLE FOR HER BUT SHE KNOWS WHEN SHE'S ON TO SOMETHING GOOD.
BETWEEN LABEL PR STRATEGIES AND CROWD-FUNDING CAMPAIGNS, MOST ARTISTS FEEL FORTUNATE TO RELEASE A NEW ALBUM EVERY TWO TO THREE YEARS. BUT THROWBACK COUNTRY AND R&B ARTIST CHARLEY CROCKETT AIMS TO PUT OUT MUSIC AS FAST AS HE CAN WRITE IT OR COLLECT IT, AND HE WORKS QUICKLY. THE LATEST IS A COVERS PROJECT CALLED LIL G.L.’S HONKY TONK JUBILEE, WHICH FOLLOWS 2016’S IN THE NIGHT, WHILE YET ANOTHER ALBUM IS IN THE CAN FOR NEXT YEAR. HE SAYS HE’S JUST TRYING TO FOLLOW THE PRECEDENT SET BY HIS MUSICAL HEROES.
NASHVILLE IS MORE CROWDED THAN EVER WITH NEW AND EMERGING ARTISTS, BUT HUGH MASTERSON HAD A HANDFUL OF FRIENDS HERE TO SHOW HIM AROUND WHEN HE ARRIVED TWO AND A HALF YEARS AGO. THE RELATIONSHIPS CAME FROM HIS TIME IN THE WILD BIRDS, TOURING THE PACIFIC NORTHWEST WITH ANOTHER BAND THE LONELY H. SOME OF THOSE MUSICIANS BECAME NIKKI LANE’S BAND AND MOVED TO NASHVILLE FIRST. FOR A PROLIFIC MUSICIAN, HUGH HAS BATTLED STAGE FRIGHT WHEN IT CAME TO PERFORMING HIS OWN ORIGINAL MUSIC AS A FRONT MAN. BUT HAVING HIS BAND’S INSTRUMENTS STOLEN OUT OF A VAN - TWICE - WAS PART OF THE JOLT HE NEEDED TO STEP FORWARD.
AMERICANA MUSIC HAS GAINED A REPUTATION FOR BEING CANDID ITS POLITICAL VIEWS, AND CHASTITY BROWN IS CERTAINLY NO STRANGER TO THAT. CHARACTERIZED BY ACTIVELY SPEAKING AND WRITING ABOUT SOCIAL INEQUALITIES, AND USING THE DEEP UNDERLYING THEMES TO GUIDE HER SONGWRITING, BROWN’S MUSIC OFTEN HAS A HEAVY TINGE OF SADNESS. HER NEW RECORD, SILHOUETTES OF SIRENS, FALLS IN LINE WITH THESE THEMES, BUT PULLS AWAY FROM HER SOUTHERN ROOTS AND MORE PREDOMINANTLY TOWARDS HER NEW HOME IN THE MID-WEST.